Audio Developer Conference has ended

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Audio Developer Conference

09:30 GMT

Workshop: Dynamic Cast: Practical DSP & Audio Programming (ONLINE) OnlineAlex Korach • Emma Fitzmaurice • Harriet Drury • Anna Wszeborowska Workshop: Dynamic Cast: Practical DSP & Audio Programming (IN-PERSON) Lower River RoomAlex Korach • Emma Fitzmaurice • Harriet Drury • Anna Wszeborowska

14:00 GMT

Workshop: Analog Circuit Modelling for Software Developers using the Point-To-Point Library DowgateEric Tarr Workshop: Using Cmajor to write, test and deploy a plugin Aldgate/BishopsgateJulian Storer • Cesare Ferrari • Harriet Drury • Lucas Thompson

09:00 GMT

An engineer’s guide to prototyping: building AI music tools for the 99% Track 3, NewgateJamie Pond Building a high performance audio application with a web GUI and C++ audio engine Track 4, AldgateColin Sullivan • Kevin Dixon Embedded software development - a wild ride! Track 2, Lower River RoomMatt Speed • Andy Normington

10:00 GMT

Making it good (the principles of testing) Track 3, NewgateEmma Fitzmaurice Real-time inference of neural networks: a practical approach for DSP engineers Track 1, AuditoriumValentin Ackva • Fares Schulz Writing elegant DSP code with Rust Track 4, AldgateChase Kanipe

11:20 GMT

A more intuitive approach to optimising audio DSP code - Guiding the compiler through optimising your code for you Track 1, AuditoriumGustav Andersson Industry standards - the agony and the ecstasy Track 4, AldgateAngus Hewlett Legacy code for the learning engineer Track 3, NewgateJosé Díaz Rohena

14:00 GMT

Aliasing, oversampling, and you Track 2, Lower River RoomSam Fischmann RADSan: a realtime-safety sanitizer Track 3, NewgateDavid Trevelyan • Ali Barker

15:00 GMT

Bug-free audio code: leverage simple DSP principles to write rock-solid music software every time Track 1, AuditoriumJan Wilczek Collaborative songwriting and production with symbolic generative AI Track 3, NewgateSadie Allen • Anirudh Mani Vars, values and valuetree's: Managing state with JUCE Track 2, Lower River RoomJelle Bakker Diversity in music technology: Initiatives and insights from Music Information Retrieval Track 4, AldgateBlair Kaneshiro

17:00 GMT

KEYNOTE: From NIME to NISE: Rethinking the design and evaluation of musical interfaces Track 1, AuditoriumAnna Xambó Sedó

09:00 GMT

The architecture of digital audio workstations (and other time-based media software) Track 1, AuditoriumIlias Bergström The sound of audio programming - developing perfect glitch Track 3, NewgateBalazs Kiss

10:00 GMT

Creating ubiquitous, composable, performant DSP modules Track 2, Lower River RoomStefano D'Angelo Exploring new opportunities in audio software development: an open dialog between mix engineers and audio software developers Track 1, AuditoriumAndrew Scheps Odd challenges of designing a feedback delay network reverb with deep learning Track 4, AldgateWojciech Kacper Werkowicz • Benjamin Whateley

11:20 GMT

Building an accessible JUCE app Track 3, NewgateHarry Morley Inference engines and audio Track 2, Lower River RoomHarriet Drury Why you shouldn’t write a DAW Track 1, AuditoriumDavid Rowland

14:00 GMT

Exploration of strongly-typed units: a case-study from digital audio Track 4, AldgateRoth Michaels How to make a successful plugin from scratch as a solo developer Track 1, AuditoriumMarius Metzger Three RADical ideas in the art of coding and the coding of art. Track 2, Lower River RoomChris Nash

15:00 GMT

Spectral audio modeling: why did it evolve and do we need it now? Track 4, AldgateJulius Smith

17:00 GMT

KEYNOTE: Commercialisation of audio technology Track 1, AuditoriumJosh Reiss